Death-Related Horror Props
This year round supplier of death-related and Halloween props makes every body parts and items far more gruesome. Human organs, animal skeletons, or even a mummified baby dragon, are all available in this gory collection.
The name of this house of horrors is called Dapper Cadaver which supplies horror movie props including medical props, dinosaur bones, coffins, caskets, and creepy specimen jars.
(via Atlas Obscura)
By the light of torches, candles or miners lights, haunting scenes centuries old appear to unfold. Scenes of skulls, bones and death are everywhere. The passages can be as low as three feet overhead or even less. The air heavy with dust, and the ground underfoot flooded with grimy water splashing way over your shoes. In tunnels up to 100 feet below the surface bustle of one of the world’s great cities, another clandestine world exists.
Consulting maps, self-trained guides lead the way, while others look for opportunities to take photographs. Exploring the Paris Catacombs, also known as the Mines of Paris, carries risk. For one, it is strictly illegal, with special police and their dogs patrolling the vast subterranean network. There is also a very real danger of getting lost, as well as the chance of cave-ins in some places.
Scattered throughout Northern Japan around the Yamagata Prefecture are two dozen mummified Japanese monks known as Sokushinbutsu, who caused their own deaths by way of self-mummification. A successful mummification took upwards of ten years. It is believed that many hundreds of monks tried, but only about 20 such mummifications have been discovered to date.
The elaborate process started with three years of eating a special diet consisting only of nuts and seeds, while taking part in a regimen of rigorous physical activity that stripped them of their body fat. They then ate only bark and roots for another three years and began drinking a poisonous tea made from the sap of the Urushi tree, normally used to lacquer bowls.
This caused vomiting and a rapid loss of bodily fluids, and most importantly, it made the body too poisonous to be eaten by maggots. Finally, a self-mummifying monk would lock himself in a stone tomb barely larger than his body, where he would not move from the lotus position. His only connection to the outside world was an air tube and a bell. Each day he rang a bell to let those outside know that he was still alive.
When the bell stopped ringing, the tube was removed and the tomb sealed. After the tomb was sealed, the other monks in the temple would wait another three years, and open the tomb to see if the mummification was successful. If the monk had been successfully mummified, they were immediately seen as a Buddha and put in the temple for viewing. Usually, though, there was just a decomposed body.
The specimens of Alex CF feature an incredible collection of cryptozoology. His page features amazing stories behind his collection of beautifully horrifying creatures that include descriptions of demons, fairies, nymphs, and other assorted oddities he collects and sells.
A Must-See Vintage Betty Boop Cartoon, 1931
The 1931 Max Fleischer cartoon Bimbo’s Initiation is a miracle of awesome, Fleischerian weirdness. It’s the last Betty Boop cartoon that was personally animated by her creator, Grim Natwick. It’s so delightfully bizarre that the film critic Leonard Maltin called it “the ‘darkest of all” of Fleischer’s work.
The cartoon starts with Bimbo seemingly being drawn into a college fraternity initiation. What Bimbo goes through is very dark — until he sees who’s behind the mask. Wonderful to watch.
(Source: Boing Boing)
Romantic underwater photography. Still life scenes meticulously created in huge dark tanks of water then photographed. Artist statement:
This series revisits the work of the 17th century Dutch masters using period props, food and real insects including butterflies that I breed myself. Each carefully staged underwater scene is captured in-camera, using subtle distortions of light and movement from the water’s own wave energy to create a unique and painterly effect without either traditional or digital post-production. The subjects appear to be floating in a black space which neither interferes nor disrupts the subject matter but interacts with it within this void to offer a serene and dreamlike sensation.